Category Archives: Faculty News

Professor Fernback earns Lindback Award for Distinguished Teaching

Broadcasting, Telecommunications and Mass Media Professor Jan Fernback’s class sessions might best be described as journeys of interactive discovery.

Students in her “Law and Ethics of Digital Media” course, for example, have robust discussions on issues ranging from file sharing, to copyright law, to fair use. They contribute first-hand examples, drawing from their own experiences as consumers and creators of digital media in its many forms.

The exchange is far-reaching at times, but Fernback thoughtfully moves the conversation forward, highlighting relevant points (“Check it out.”), prodding (“What do I mean by that?”), confirming understanding (“Does this make sense to everyone?”) and always encouraging (“That’s a great example.”).

These classroom interactions directly reflect Fernback’s teaching philosophy, which is founded on openness and the inherent value of a learning process that values questions as much as answers.

“Seeking and asking and questioning are where true desire for lifelong learning comes from,” said Fernback. “It’s the best way to encourage a love of learning among students. Answers are only satisfying for a certain amount of time. If you learn facts, they’re in your head — great. But new questions are what keep us learning, and the desire to know is at the heart of what we’re trying to do.”

It’s an approach that has led to Fernback’s selection for a 2011 Lindback Award for Distinguished Teaching, and one that has garnered glowing reviews from her students, who consistently rate her at or near the highest score in numerical course evaluations and praise her in their open-ended survey responses.

“She’s awesome,” said Nadine Schneider, a BTMM graduate. “Beyond the fact that she’s very clearly competent and a smart person, she’s good at explaining theoretical concepts and facilitating a good discussion in class. It makes it a more dynamic process.”

That process is essential to learning, says Fernback, who believes that her role is not simply to convey course material, but to create engaged citizens of the world.

“I like to learn from students,” said Fernback. “I’m not as interested in replicating myself as I am in having interesting and enlightening conversations with groups of people who are about to make their mark on the world.”

But Fernback’s commitment to teaching doesn’t stop at the classroom door. She has shared her approach with other Temple faculty by developing and conducting pedagogy workshops through the university’s Teaching and Learning Center. And, as professor for the “Communication Pedagogy” course she developed, she is helping to give the next generation of communication scholars the tools necessary to be outstanding professors.

“She is a visible presence for ushering doctoral students through the process of pursuing an academic career,” said fourth-year doctoral student Byron Lee, who says the pedagogy course helped set the tone for the entire Ph.D. program. “The way she designed the class was very practical, in terms of directing strategies, but also theoretical in terms of how to engage learning. Jan was really good about making connections to concrete strategies.”

At a time when digital technology is changing the world around us, Fernback takes a broad view of the importance of studying mass media and technology, focusing on how critical it is to an effective democratic society.

“What a great time to be teaching media,” she said. “We experience so much of the world through media — they are our cultural touchstones.  I’m interested in that process.”

– by Vaughn Shinkus, University Communications
vaughn.shinkus@temple.edu

Professor d’Agostino exhibits World-Wide-Walks

The Walk Series: Roof Walk (1973), by Professor Peter d’Agostino, FMA, is currently on exhibit at the Wattis Institute for Contemporary Arts, California College of the Arts, San Francisco, continuing to July 2. Initiated in 1973 as video documentation/performances, the World-Wide-Walks evolved into video/Web projects combining elements of natural, cultural and virtual identities: mixed realities of walking through physical environments and of virtually surfing the Web.

During April, the World-Wide-Walks/between earth & sky/Temples installation was exhibited at Tyler School of Art, Temple Performing Arts Center, and Crane Arts Old School, Philadelphia. These video walks were performed in Italy, Egypt, India, Peru and the U.S., including the Baptist Temple, Philadelphia. It was produced with support from the Pew Trusts, American Academy in Rome, Temple University Arts Commission and the School of Communications and Theater.

For more information, visit www.peterdagostino.net

Professor d’Agostino exhibits World-Wide-Walks

The Walk Series: Roof Walk (1973), by Professor Peter d’Agostino, FMA, is currently on exhibit at the Wattis Institute for Contemporary Arts, California College of the Arts, San Francisco, continuing to July 2. Initiated in 1973 as video documentation/performances, the World-Wide-Walks evolved into video/Web projects combining elements of natural, cultural and virtual identities: mixed realities of walking through physical environments and of virtually surfing the Web.

During April, the World-Wide-Walks/between earth & sky/Temples installation was exhibited at Tyler School of Art, Temple Performing Arts Center, and Crane Arts Old School, Philadelphia. These video walks were performed in Italy, Egypt, India, Peru and the U.S., including the Baptist Temple, Philadelphia. It was produced with support from the Pew Trusts, American Academy in Rome, Temple University Arts Commission and the School of Communications and Theater.

For more information, visit www.peterdagostino.net

Professor Hobbs on federal efforts to cut ads targeting kids — WHYY-FM

Food marketers are under mounting pressure to either change their advertising tactics aimed at kids, or the foods they promote to young people. Professor Renee Hobbs, BTMM/MMC of Temple’s Media Education Lab said she expects the Federal Trade Commission and health advocates to pressure companies such as McDonald’s and Kellogg’s to adopt the recommendations. At this point, they are voluntary. “The government wants them to not use Toucan Sam and all the other slick and compelling cartoon images that attract kids’ attention and try to sell them things,” she said.

Click here to read the full story.

 
 
 

 

Podcast features Professor Erickson, Top Secret Rosies

Top Secret Rosies, a feature documentary by Associate Professor LeAnn Erickson, FMA, was featured in the April 29 IEEE Spectrum podcast.  IEEE, the world’s largest professional association dedicated to advancing technological innovation and excellence for the benefit of humanity, has more than 400,000 members worldwide. The IEEE Foundation awarded Erickson a grant in support of the documentary.

Click here to listen to the podcast.

Original play featured at Equality Forum

It started with a simple observation.

Peter Reynolds, assistant professor of theater, heard how his students discussed sexuality — in all its forms –with one another. They were conversations that he never experienced when he was in college.

“I sensed a difference in their attitude toward queerness,” he says.

The conversations were open and not enveloped by social stigma. It was a phenomenon that Reynolds wanted to explore creatively.

He teamed up with Associate Professor Scott Gratson, STRC, and together, they received a seed grant from Temple’s Office of the Provost to create a play about today’s young LGBT community.

The result is que[e]ry, which was featured April 29 at the Equality Forum, a global LGBT summit held in Philadelphia each year, in Gershman Hall, 401 S. Broad St. It ran on campus from March 13 to 15.

Reynolds, who directed the show, cast an ensemble of 21 students with no script and only a perception of what the resulting show would be, which he says was equally exciting and horrifying. Over the next four months, the ensemble members shared their own stories and interviewed others to create the script from scratch.

“What I found out was that there is just as much hatred, bigotry and violence as when I was in school,” he says.

The show consists of more than a dozen vignettes based on real-life experiences. None of the actors tell their own stories – Reynolds says the rehearsal process revealed that the scenes were more powerful when approached from the outside as an actor. All of the pieces were anonymously submitted by students and performed by other students in the ensemble.

Calvin Atkinson, a junior theater major, says the rehearsal process was unlike any other he experienced.

“The first time I saw [the piece I wrote], it was really strange,” he says. The actor went a different direction than what Atkinson truly had experienced. While at first taken aback, he soon was comforted by the separation of the piece from true life. “It’s not necessarily about my exact feelings being transferred to the stage,” he says. “But it keeps my story alive.”

On the opposite side, Atkinson says the first time he performed a piece he knew someone in the room had written was intimidating; he hoped he did it justice. “My monologue was a very true experience. It was so specific and had a strong character,” he says.

While some of the stories touch on dark issues, the students made sure to include a lot of humor into the show.

“We didn’t want it to be The Laramie Project,” says Cody Long, a religion major in the ensemble. “This is not a pity party about bullying or about hate crimes. We do make mistakes and have a variety of experiences that aren’t all bad.”

Julia Freeman, a sophomore majoring in theater and Spanish, calls que[e]ry one of the most collaborative efforts in which she has ever played a part. “Every single person involved in the production was more involved with the greater good of the production rather than the greater good of their career,” she says. “This was our baby.”

When parts of the script weren’t working as a fluid aspect of the show, cuts were made and no one left with injured egos.

Gratson says the stage is a powerful tool to deliver the messages behind que[e]ry.

“Theater provides a platform for audiences to see [this] narrative brought to life,” Gratson says. “Also, theater allows for students to emerge as true citizen artists, giving voice to an important and growing movement in the United States. That voice, especially when coupled with the multimediated motifs that we included, really is accentuated through theater.”

It’s not just the audiences that have learned lessons from que[e]ry.

“I learned that I never cease to be amazed at the ability of our students. The students involved in this production came to the piece from throughout the university. They had a chance to not only work with other students from fields that were atypical of their usual studies but got to learn about an important part of human identity,” Gratson says. “The complexity of that identity and the dedication that our students have to better understand it — that was a lesson well-learned. Coupled with their drive toward achieving true inclusion and understanding of the queer community, this really became an amazing experience.”

Watch ensemble member Craig Bazan discuss the show on The 10! Show

 

Associate Professor Harper to present paper at Arab/American conference

Associate Professor Chris Harper, JOUR, will be presenting a paper at the 16th annual Arab-U.S. Association of Communication Educators. It discusses developing media outlets for Arab cities based on philadelphianeighborhoods.com.

This year, the conference, set for Oct. 28-31 in Beirut, Lebanon, is titled “Digital & Media Literacy: New Directions.” It will focus on the roles of digital and media literacy in contemporary media education, media practices and media policies.

Associate Professor Coover elected to the Executive Board of IVSA

Associate Professor Roderick Coover, FMA, MMC, has been elected executive board member of the International Visual Sociology Association (IVSA). IVSA is an international organization that is devoted to the visual study of society, culture and social relationships and to promoting uses of photographs, film, video and electronically transmitted images in social sciences and related disciplines and applications.

Click here for more information.

Faculty authors talk shop during Alumni Weekend

Two School of Communications and Theater faculty members offered insights into the creative writing process April 16 as part of Alumni Weekend 2011.

Assistant Professor Gregg Feistman, STRC, and Assistant Professor Lori Tharps, JOUR, stepped out of their normal roles in front of the classroom and offered a peek into their lives as writers through a discussion moderated by Tamala Edwards of 6ABC.

They spoke of character creation and working toward an editor’s definition of “reader friendly.”

The two authors differed most on their approach to research.

Tharps says she knew her characters well when she first conceptualized Substitute Me, but she needed several years to fully develop them and her storyline.

“I didn’t sit down with a blank piece of paper and say ‘Speak to me,’” she said.

The years of research benefitted her when she finally sat down to write the novel; it only took three weeks.

Feistman, on the other hand, researched background for his novel, The War Merchants, as he wrote it. He said he doesn’t work from an outline, but knows the ending and will let the story tell itself. When it comes time to ensure he’s writing about something accurately, “Google is a wonderful tool.”

The editing process can be a gut wrenching process for both Tharps and Feistman, whether done by themselves or someone else.

“A good writer has to be a good self-editor, which is hard,” Feistman said. “If I don’t throw up [when editing], then it stays in.”

Tharps said her cousin’s criticism of a later draft was the hardest to swallow during her editing process. “She thought the main character was boring. It took a long time to care about her. That broke my heart.”

SCT’s Alumni Weekend events continued with a lunch in Annenberg Hall’s Joe First Media Center and a performance of Temple Theaters’ A View From the Bridge.

photos by Hillary Petrozziello/Aperture Agency